PRACTICE

a large gong on a stand in an empty room

Sound as material, space as instrument, resonance as form.

Custom-built sound bodies, electroacoustic spatial systems and site-specific installations — developed as architectural instruments in response to the proportions, surfaces and silence of each space.


The practice moves between object and field, sculpture and live performance. Sound is treated as physical presence — not atmosphere, not decoration. In concert and gallery contexts it fills a room as a single continuous event. In architectural commissions it becomes a permanent structural condition within the daily life of a space.


Projects unfold across exhibition, institutional and site-specific environments — for cultural institutions, corporate organisations and public space.